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Koolaids, by Rabih Alameddine
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“Daring, dazzling . . . a tough, funny, heart-breaking book.”—Seattle Times
“[A] refreshing statement of honesty and endurance ...funny, brave full of heart and willing to say things about war and disease, sexual and cultural politics that have rarely been said so boldly or directly before.”—The Sunday Oregonian
When National Book Award and National Book Critics Circle finalist Rabih Alameddine’s dazzling literary debut Koolaids first published it garnered exuberant praise from Amy Tan, Rick Wallach, and Sarah Schulman, among others. Detailing the impact of the AIDS epidemic and the Lebanese civil war in Beirut on a circle of friends and family during the eighties and nineties, Koolaids mines the chaos of contemporary experience, telling the stories of characters who can no longer love or think except in fragments. Clips, quips, vignettes and hallucinations, tragic news reports and hilarious short plays, conversations with both the quick and the dead, all shine their combined lights to reveal the way we experience life today in this ambitious debut from bestselling and acclaimed author Rabih Alameddine.
“Rabih Alameddine is one rare writer who not only breaks our hearts but gives every broken piece a new life.”—Yiyun Li
“Rabih Alameddine is one our most daring writers—daring not in the cheap sense of lurid or racy, but as a surgeon, a philosopher, an explorer, or a dancer.”—Michael Chabon
- Sales Rank: #1190552 in Books
- Published on: 2015-09-15
- Original language: English
- Number of items: 1
- Dimensions: 8.20" h x .90" w x 5.40" l, .0 pounds
- Binding: Paperback
- 256 pages
From Library Journal
Alameddine is a respected painter who brings great visual skill to his first literary work. The novel is really an effectively conceived collage of the viewpoints of several characters: Samia is a Lebanese woman crisscrossing east and west Beirut during its darkest days, Mark is an HIV-positive American who faces his own end while mourning the steady loss of friends during the worst years of the AIDS plague, and Mohammed is a belligerent and misunderstood painter who tries to give form and meaning to it all, just as the author means to do through his fiction. War, death, sex in a morally empty and meaningless world?when mixed on Alameddine's palette, they make for fascinating reading. To make his point, Alameddine freely cites thinkers whose takes on life and death he finds laughably wanting. He also includes news reports which, when juxtaposed with the situations of his characters, makes us see by just how far those not living the horror can miss the truth. Immediate, pitched, and frightening to read, this work is recommended for larger public and academic libraries.?Roger W. Durbin, Univ. of Akron, OH
Copyright 1998 Reed Business Information, Inc.
From Kirkus Reviews
This emotionally charged first novel by a Lebanese-American writer and artist is an impressionistic collage that skillfully juxtaposes its gay protagonists' defiant encounters with AIDS, the embattled recent history of Lebanon during its own civil war and ``the Israeli siege of Beirut,'' and more general permutations of estrangement from society, family, and nation. Alameddine's characters (who are, unfortunately, not always clearly distinguished) include a Lebanese matriarch whose diary records the sufferings of her kindred throughout a 30-year span of political turmoil, several variously involved San Franciscans during that city's own plague years, andmost cruciallya painter whose garishly violent canvases are calculated distortions of his Lebanese homeland's chaotic past and present. The ``novel'' assembles summaries of that history together with journal excerpts, letters, poems, discursive statements often framed as aphorisms (``in America, I fit, but I do not belong. In Lebanon, I belong, but I do not fit''), and aborted literary works. If we're occasionally unsure whos speaking (or being addressed), there's no mistaking the books furious argumentative energy here--whether its scattershot wit takes the form of mocking allusions to the biblical Four Horsemen of the Apocalypse; a rudely satirical playlet whose characters include Eleanor Roosevelt, Krishnamurti, Julio Cortazr, and (a probably gay) Tom Cruise; imaginary conversations with eminent writers (Borges, Coover, and Updike among them); or parodies whose subjects range from Middle Eastern scriptures to American movies and TV shows (one of The Waltons is particularly droll). Alameddine stumbles when fulminating nakedly against American materialism and heterosexual hypocrisy--yet some of his baldest declarations are among his finer effects (for example, an HIV-positive protagonist's lament that ``nothing in my life is up to me''). A wildly uneven, but powerful and original portrayal of cultural and sexual displacement, alienation, and--in its admirably gritty way--pride. (Author tour) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.
Review
"Daring, dazzling . . . a tough, funny, heart-breaking book."—Greg Burkman, Seattle Times
"Refreshing . . . often brave, full of heart . . . This novel is vigorously ambitious, its voice unique."—Portland Oregonian
"An absolutely brilliant book—daring in its somersault of literary feats and allusions, an antidote for anyone who suffers from the blahs or an excess of self-satisfaction. I hope it's widely read."—Amy Tan, author of The Joy Luck Club
"Provocative, emotionally searing."—Publisher's Weekly
Most helpful customer reviews
6 of 6 people found the following review helpful.
Original and insightful novel.
By A Customer
For any gay man who participated in gay/queer communities in the late 1980's, reading "Koolaids" will be like experiencing a long, accurate and precise memory of those furious and painful times (details of life during the epidemic are interspersed with vignettes about war-era Beirut. Trust me - it works.)
"Koolaids" is not just a good book. It is angry (Remember when people were angry? Ah, what a lark!), funny, queer and smart. It is original. Many previous AIDS memoirs/fictions have been precious accounts of loss, sweaters and Paris. Really. If you pick up the three most famous gay male memoirs about AIDS, you will read as much about France and good cheese and fine wine as you will about loss and disease. These books say more about the authors' sartorial and gastronomic preferences than about the epidemic or the times. "Koolaids", on the other hand, reminds us of the uses of anger and grief, and of what the virus did to individuals, communities and a nation. By returning the reader to a wholly different era, "Koolaids" makes history.
7 of 8 people found the following review helpful.
buy this book
By A Customer
This book is brilliant, able to be humorous and entertaining even as it takes you into some of the darkest moments of our time. The juxtaposition of the AIDS crisis in America and the War in Lebanon is an effective choice, it creates a new perspective to two very emotionally difficult and recent parts of our history that we are still collectively coming to terms with. as a gay lebanese-american i found the voices of Alameddine's characters to be particularly haunting. Mr. Alameddine is an exciting and daring writer and I anxiously anticipate his new works while re-reading his currently published books.
4 of 4 people found the following review helpful.
Incredible cross cultural experience
By A Customer
I received this book as a birthday gift. As a Lebanese person, I found this book extremely enlightening and charming. It was everything I always felt, since I shared with the author a similar experience of growing up during the war times in Beirut. This book brought back old memories that are both painful and joyful.
Mr Alameddine's style is impeccable. You fly from character to character, from reality to dreams, to fiction, and then back to reality. His depiction of the Lebanese culture in the "play" he wrote about the two lebanese women in Paris is hilarious and unfortunately very true.
I think every Lebanese person should read this book. It connects very well with any person who grew up in two different cultures. It is time for our culture to face reality and deal with the issues of homosexuality and AIDS. I ordered Alameddine's next book "The Perv" and I can't wait to receive it.
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