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First performed at the midpoint of the 20th century, John Cage's '4'33', a composition conceived of without a single note, is among the most celebrated and ballyhooed cultural gestures in the history of modern music. This book explains '4'33' as a unique moment in American culture and musical composition.
- Sales Rank: #1299285 in Books
- Published on: 2011-01-25
- Original language: English
- Number of items: 1
- Dimensions: 8.22" h x .70" w x 5.58" l, .70 pounds
- Binding: Paperback
- 272 pages
From Booklist
*Starred Review* To many music-lovers’ chagrin, the most famous twentieth-century American classical music composition is, very probably, John Cage’s 4’ 33” (1952), consisting of three movements whose timings amount to 4 minutes and 33 seconds of . . . music? The question mark arises because not a note is sounded by its performer. It is completely silent. Or is it? For no matter where or how it is played, even in a recording (23 of which Gann lists in an appendix), there are always sounds to be heard. Said by many to be a work of philosophy rather than music, it is, Gann demonstrates, clearly the latter, though Cage was becoming intrigued with Zen when he composed it. And if one of its points is that all sounds are musical, it is fraught with further music-cultural meaning as the culmination of a musical avant-garde extending from Erik Satie in late-nineteenth-century Paris through 1920s Dada to the association of advanced music with abstract expressionist painting after World War II; as the progenitor of at least two styles of subsequent art music, minimalism and environmental sound; and as an astonishing inspiration to a panoply of rock bands. Deftly profiling Cage and his influences in the process, Gann entrancingly communicates his love and fascination with Cage’s musical milestone in a spellbinding chapter of high-cultural history. --Ray Olson
Review
"'Gann's book perfectly proves Cage's belief that putting a frame around silence can be as rewarding as music itself.' (Andrew Male, Mojo) '4'33", Gann argues, though often suspected of being merely a 'provocative stunt', is actually one of the best understood and most influential works of avant-garde music... In describing the piece's premieres and reception, Gann recaptures its 'Promethean' impact, which cost Cage some friends and prompted his mother to ask, "Don't you think that John has gone too far this time?'" (The New Yorker)"
About the Author
Kyle Gann is music critic for the "Village Voice "and Associate Professor of Music at Bard College. He is the author of "American Music in the Twentieth Century "(1997) and "The Music of Conlon Nancarrow "(1995).
Most helpful customer reviews
10 of 10 people found the following review helpful.
Whereof one cannot speak....
By Canticle
I bought this book both because of my interest in Cage and the avant garde as well as my love of the critical insights of Kyle Gann.
And I was not disappointed. Gann's analysis of this seminal work of the avant garde addresses the social context of the piece as well as the various criticisms of it. And in so doing he makes it clear that this is, as he says, the best known work of the avant garde as well as a very important work from which we can understand much of what came later including minimalism, art "happenings" and indeterminate methods. He correctly positions it as a sort of "urtext" piece much like Stravinsky's "Rite of Spring".
Gann does this in an eminently readable style with a very complete set of references and a discography (yes, the "silent piece" has been recorded many times). He even gives strategies by which a performer can approach the interpretation of the score.
This can be read with equal benefit by academics, musicians and general readers.
7 of 9 people found the following review helpful.
Shhh
By MV
Gann does a fantastic job at putting 4'33'' and Cage into context. The book is remarkably well researched. As Gann says, this book could not have been written in the 20th Century, given the amount of books that have come out in the last 15 years. In his introduction, Gann mentions that his interest in Cage started at an early age, and one can't help be influenced by his curiosity. "No Such Thing As Silence" has been very helpful with my own writing on 4'33'' and Cage; and has helped inform me as to why Cage just might be one of the most important composers of all time.
7 of 9 people found the following review helpful.
It's not just about silence
By Richard Friedman
This is an extraordinary book, because by focusing on just one piece by John Cage, Gann brings into the discussion the whole world of art and sensibility of the period, the late 40's to the 60's.
This is a "must-have" and "must-read" for anyone interested in the period.
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